/* =============================================================================
   labs.llc/legal/ — the paper edition
   -----------------------------------------------------------------------------
   The house sheet, in the register labs.llc uses — white paper, one ink, a
   great deal of air, and type doing the work.

   THIS SHEET WAS CUT DOWN TO THE PAGE. It arrived as a copy of a tool page's
   stylesheet and carried that tool's furniture with it: a console, a results
   table, a domain card, a register, a stocks tape, three crawling strips, a
   network probe's output and a search box's chips — 226 selectors matching
   nothing on a reading page, in 73KB serving about 10KB of it. All of that is
   gone, along with the reveal animation (a legal page reveals nothing) and the
   deep band (this page has no dark stripe; it has a dark EDITION). What is
   left is nav, menu, hero, bands, footer and the page's own LEGAL block, and
   every selector in the file matches something on the page. Keep it that way:
   if you add a rule, add the markup in the same pass.

   The whole system is five decisions:

     ink      #1E262B   near-black with the blue left in, never pure #000
     paper    #FFFFFF
     deep     #11161C   the dark band, one step colder than the ink
     line     a 12% ink hairline; there are no heavy borders anywhere
     measure  1265px

   This sheet is the LIGHT edition and the canonical one. The dark edition is
   assets/css/dark.css: an override sheet scoped to html[data-dark], loaded
   after this one, holding nothing but the literals this file could not express
   as tokens. Nothing in this file may be edited to serve the dark edition —
   that is what the override sheet is for, and keeping that boundary is what
   stops the light edition regressing every time the dark one is touched.

   THE ONE RULE when adding to this file: prefer a token. A declaration that
   reads var(--ink) or var(--line) is already correct in both editions and
   needs no second line anywhere. Only a literal has to be answered twice, and
   the literals that cost the most are the ones where a colour is a SURFACE
   rather than text — a band, a panel, a field. There is no audit script in
   this property's tools/ (only mkdark.py), so that boundary is held by reading
   rather than by a check.
   ========================================================================== */

/* ------------------------------------------------------------------ webfont
   DM Sans, self-hosted, the same two files labs.llc serves. It used to be an
   @import of fonts.googleapis.com sitting at the top of an inline <style> —
   which is the worst of every option: a render-blocking stylesheet, on a
   third-party origin, discovered only after the HTML parser reached the middle
   of the document, in a page that otherwise made no network request at all
   before first paint.

   Variable across both axes the sheet uses (opsz 9-40, wght 200-700), so the
   four-weight inversion the design rests on is 94KB of woff2 rather than
   twelve separate faces. Split on the same unicode ranges Google splits on, so
   a page of English never downloads the accented block. */
@font-face {
    font-family: 'DM Sans';
    font-style: normal;
    font-weight: 200 700;
    font-display: swap;
    src: url('../fonts/dm-sans-latin.woff2') format('woff2');
    unicode-range: U+0000-00FF, U+0131, U+0152-0153, U+02BB-02BC, U+02C6, U+02DA,
                   U+02DC, U+0304, U+0308, U+0329, U+2000-206F, U+20AC, U+2122,
                   U+2191, U+2193, U+2212, U+2215, U+FEFF, U+FFFD;
}
@font-face {
    font-family: 'DM Sans';
    font-style: normal;
    font-weight: 200 700;
    font-display: swap;
    src: url('../fonts/dm-sans-latin-ext.woff2') format('woff2');
    unicode-range: U+0100-02BA, U+02BD-02C5, U+02C7-02CC, U+02CE-02D7, U+02DD-02FF,
                   U+0304, U+0308, U+0329, U+1D00-1DBF, U+1E00-1E9F, U+1EF2-1EFF,
                   U+2020, U+20A0-20AB, U+20AD-20C0, U+2113, U+2C60-2C7F, U+A720-A7FF;
}

:root {
    --ink:        #1E262B;
    --ink-77:     rgba(30, 38, 43, .77);
    /* The secondary ink, at .64 rather than .55. .55 measures 3.6:1 on the
       paper, under the 4.5:1 body-text floor, and this token carries most of
       the small type on the site: every eyebrow, every field label, every
       registrar name, the whole of the results table's second line. At .64 it
       measures 4.7:1 and is still plainly the quieter of the two inks. */
    --ink-55:     rgba(30, 38, 43, .64);
    --paper:      #ffffff;
    --tint:       #FAFAFA;  /* recessed panel ground, added for Network Labs */
    --deep:       #11161C;
    --deep-soft:  #171E26;
    --line:       rgba(30, 38, 43, .12);
    --line-soft:  rgba(30, 38, 43, .07);
    /* The inverse hairline: for rules drawn ON the deep band while the page
       itself is light. The dark edition has to flip this one the other way or
       those rules draw white on white. */
    --line-dark:  rgba(255, 255, 255, .13);
    --muted:      #717171;

    /* DomainChaos was #ff8800 throughout — a screen orange, chosen against
       #0a0a0a. It measures 2.1:1 on white, so on paper it is not an accent, it
       is a highlighter. The lineage survives as the burnt print red of the
       same family; the dark edition takes it back up to #F97316, which is the
       original orange one step calmer and holds on the deep ground. Used for
       hairlines, eyebrows and live indicators only — never as a large fill. */
    --accent:     #C2410C;
    /* The accent as a FILL, with dark type on it. Inking a colour is right for
       type and wrong for a solid block, so the two are separate tokens and the
       fill keeps its saturation. */
    --accent-fill: #FB923C;
    --on-accent:  #2A1206;

    /* ------------------------------------------------------------- semantics
       The status of a domain is the one place this site needs colour to carry
       meaning, so these four are the only hues besides the accent.

       Every one of them is three steps down its scale from where a dark-ground
       palette would put it. #00cc66 — the old build's "AVAILABLE" — measures
       1.8:1 on white; at #15803D it is 4.9:1 and still unmistakably green. The
       dark edition moves all four back up; see dark.css. */
    --free:       #15803D;   /* available            */
    --taken:      #B91C1C;   /* registered           */
    --unsure:     #B45309;   /* could not determine  */
    --info:       #1D4ED8;   /* links, social        */
    --free-wash:   rgba(21, 128, 61, .07);
    --taken-wash:  rgba(185, 28, 28, .06);
    --unsure-wash: rgba(180, 83, 9, .07);

    --measure:    1265px;
    --gutter:     clamp(20px, 5vw, 56px);

    /* The height of the sticky header, published as a token because two things
       have to agree about it: the header, and every anchor target on the page.
       A heading scrolled to the top of the viewport lands underneath a sticky
       bar unless something subtracts the bar first. */
    --nav-h:      74px;
    --band:       clamp(64px, 9vw, 128px);
    --ease:       cubic-bezier(.22, .61, .36, 1);
}

*, *::before, *::after { box-sizing: border-box; }

html { -webkit-text-size-adjust: 100%; scroll-behavior: smooth; }
@media (prefers-reduced-motion: reduce) { html { scroll-behavior: auto; } }

/* Applied to anything with an id rather than to a hand-kept list of sections:
   a scroll margin costs nothing on an element nobody ever scrolls to, and a
   list is a thing to forget to update. */
[id] { scroll-margin-top: calc(var(--nav-h) + 14px); }

body {
    margin: 0;
    background: var(--paper);
    color: var(--ink-77);
    font-family: 'DM Sans', -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto,
                 Helvetica, Arial, sans-serif;
    font-size: 17px;
    line-height: 1.62;
    /* R4: the floor, by inheritance. Set the base readable and thin only what
       is deliberately large. The opposite order leaks — anything with no class
       of its own inherits the thin weight from a wrapper, and you end up with
       11px labels at weight 300 that you cannot find a rule for. */
    font-weight: 400;
    -webkit-font-smoothing: antialiased;
    -moz-osx-font-smoothing: grayscale;
}

h1, h2, h3, h4 { color: var(--ink); margin: 0; font-weight: 600; }

.d1 {
    font-size: clamp(2.1rem, 5.2vw, 3.9rem);
    font-weight: 200; letter-spacing: -.035em; line-height: 1.09;
}
.d2 {
    font-size: clamp(1.75rem, 3.5vw, 2.77rem);
    font-weight: 600; letter-spacing: -.04em; line-height: 1.06;
}
/* The eyebrow. Every band opens with one; it is the only place small-caps
   tracking appears, so it reads as a system label rather than as text. 700,
   because tracking thins a face further and 500 at this size on paper is a
   smear. */
.eyebrow {
    display: flex; align-items: center; gap: .7rem;
    font-size: .688rem; font-weight: 700;
    letter-spacing: .19em; text-transform: uppercase;
    color: var(--ink-55);
    margin: 0 0 1.6rem;
}
.eyebrow::before { content: ''; width: 26px; height: 1px; background: var(--accent); flex: 0 0 auto; }

.lede {
    font-size: clamp(1.02rem, 1.35vw, 1.19rem);
    line-height: 1.6; font-weight: 300; color: var(--ink-77);
    max-width: 62ch;
}
.lede + .lede { margin-top: 1rem; }

a { color: inherit; }

.wrap { max-width: var(--measure); margin: 0 auto; padding-inline: var(--gutter); }
.band { padding-block: var(--band); }

/* THE DEEP BAND IS GONE. The shell used .band--deep to re-declare the ink
   tokens on a dark ground for a band in the middle of a light page. This page
   has no such band: the only deep surface on it is the footer, which sets its
   own colours, and the dark edition is a whole document rather than a stripe.
   Its .btn, .btn--ghost and .seg__b overrides went with it. */
.band--tint { background: #FAFAFA; }
.rule { height: 1px; background: var(--line); border: 0; margin: 0; }

/* =============================================================================
   NAV
   ========================================================================== */

.nav {
    position: sticky; top: 0; z-index: 60;
    background: rgba(255, 255, 255, .86);
    backdrop-filter: saturate(180%) blur(14px);
    -webkit-backdrop-filter: saturate(180%) blur(14px);
    border-bottom: 1px solid var(--line-soft);
}
.nav__in {
    max-width: var(--measure); margin: 0 auto; padding: 0 var(--gutter);
    height: var(--nav-h); display: flex; align-items: center; gap: 1rem;
}
.nav__mark { display: flex; align-items: center; gap: .8rem; text-decoration: none; margin-right: auto; }
/* The mark. No box, no ring, no fill.

   The old build ringed a photographic disc in 4px of orange with a 45px glow;
   the rewrite before this one swapped that for a hairline and a border-radius,
   which was quieter but was still a circle drawn around a logo that already had
   one. Two edges, concentric, neither of them content.

   A wordmark on paper needs no edge at all: the letterforms are the shape, and
   the thing that separates them from the page is the page. Height is set here
   and width is left to the viewBox so the 86:24 proportion cannot be squashed
   the way an <img> with two hard attributes squashed the old one.

   The colour is inherited, not declared — currentColor in the SVG picks up
   whatever --ink resolves to in this edition, which is the entire reason it can
   be one file for both. */
/* The mark is a <div> of two links now — the labs.llc plate and the local
   wordmark — so each half re-declares the flex row the single anchor used to
   be. The plate's height is set here and its width left to the 189:80 ratio,
   for the same no-squashing reason as the wordmark above. */
.nav__mark a { display: flex; align-items: center; gap: .8rem; text-decoration: none; }
.nav__plate { display: block; height: 28px; width: auto; }
.nav__mark b {
    font-size: .95rem; font-weight: 600; letter-spacing: -.03em; color: var(--ink);
}
.nav__mark span {
    font-size: .6rem; font-weight: 700; letter-spacing: .32em;
    text-transform: uppercase; color: var(--ink-55);
    padding-left: .8rem; border-left: 1px solid var(--line);
}
@media (max-width: 980px) { .nav__mark span { display: none; } }

.nav__links { display: flex; align-items: center; gap: 1.9rem; }
@media (max-width: 1100px) { .nav__links { display: none; } }
.nav__links a {
    text-decoration: none; font-size: .875rem; font-weight: 500;
    color: var(--ink-77); letter-spacing: -.01em; position: relative; padding-block: .4rem;
}
.nav__links a::after {
    content: ''; position: absolute; left: 0; right: 0; bottom: 0;
    height: 1px; background: var(--ink); transform: scaleX(0); transform-origin: left;
    transition: transform .32s var(--ease);
}
.nav__links a:hover::after, .nav__links a[aria-current]::after { transform: scaleX(1); }
.nav__links a[aria-current] { color: var(--ink); }

/* ---------------------------------------------------------------------------
   THE EDITION PILL

   Lifted whole from labs.llc, because it is the same control doing the same
   job and a visitor who has met one should not have to learn the other. Two
   editions of this page — this one, paper, and indexdark.html — and the pill
   is where a visitor moves between them.

   Deliberately a segmented control rather than another nav link: the two are
   alternatives to each other, not destinations alongside Generator and
   Registrars, and a segmented control is the one shape that says so without a
   word of explanation.

   Exactly one segment carries .is-on, and it is written into the markup rather
   than worked out at runtime, because on any given page the answer is a
   constant: this file is always the light one. tools/mkdark.py moves it.

   The moving part is a single thumb behind both segments, not a background on
   whichever segment is lit. That is what lets it slide: on hover it travels to
   the segment under the cursor and previews the switch before the click.
   ------------------------------------------------------------------------ */
.mode-pill {
    position: relative; flex: 0 0 auto;
    display: inline-flex; align-items: center;
    padding: 3px; border-radius: 999px;
    border: 1px solid var(--line);
    /* A shallow well, so the thumb reads as sitting in the track rather than
       floating on the navbar. Both values are ink at single digits of alpha. */
    background: linear-gradient(180deg, rgba(30,38,43,.045), rgba(30,38,43,.025));
    box-shadow: inset 0 1px 2px rgba(30, 38, 43, .055);
}
.mode-pill__thumb {
    position: absolute; z-index: 0;
    top: 3px; bottom: 3px; left: 3px; width: calc(50% - 3px);
    border-radius: 999px; background: var(--ink);
    box-shadow: 0 1px 2px rgba(30, 38, 43, .26), 0 6px 18px rgba(30, 38, 43, .14);
    transition: transform .42s var(--ease);
}
/* Which half is lit. The class is on the container and written into the
   markup: on any one page the answer never changes. */
.mode-pill--dark .mode-pill__thumb { transform: translateX(100%); }

/* Hover preview. There are exactly two segments, so "the unlit one is hovered"
   already says which side the thumb belongs on and the rule needs no position
   selector — which matters, because the lit segment is a <span> and the unlit
   one an <a>, and a :first-of-type / :last-of-type pair counts types. Where
   :has is unsupported the pill simply does not preview, which costs nothing. */
.mode-pill:has(.mode-pill__seg:not(.is-on):hover) .mode-pill__thumb { transform: translateX(100%); }
.mode-pill--dark:has(.mode-pill__seg:not(.is-on):hover) .mode-pill__thumb { transform: none; }

.mode-pill__seg {
    position: relative; z-index: 1;
    display: inline-flex; align-items: center; justify-content: center;
    /* Both segments hold the same width, because the thumb is half the track
       and an uneven split would leave it short of one end. */
    min-width: 2.5rem; padding: .4rem .45rem; border-radius: 999px;
    text-decoration: none; color: var(--ink-55);
    transition: color .32s var(--ease);
}
/* The lit segment is a <span>, not a link — it is the page you are already on,
   and a link to here is a reload that costs a round trip and returns the same
   document. */
.mode-pill__seg.is-on { color: var(--paper); cursor: default; }
/* The fallback where :has is missing and the thumb therefore cannot move: the
   unlit segment darkens in place. It must not go to paper — with no thumb
   underneath, paper on the track is a label that vanishes. */
.mode-pill__seg:not(.is-on):hover { color: var(--ink); }
/* While a segment is hovered the thumb is under IT, so the lit colour follows
   the thumb rather than the class. Equal specificity, later wins. */
.mode-pill:has(.mode-pill__seg:hover) .mode-pill__seg.is-on { color: var(--ink-55); }
.mode-pill:has(.mode-pill__seg:hover) .mode-pill__seg:hover { color: var(--paper); }
.mode-pill__seg:focus-visible { outline: 2px solid var(--accent); outline-offset: 3px; }
/* 13px, and the same 13 is written on the <svg> tag itself as width and
   height. That duplication is the point: an SVG with a viewBox and no
   dimensions of its own falls back to 300x150 when no stylesheet reaches it. */
.mode-pill__i { width: 13px; height: 13px; flex: 0 0 auto; display: block; }

@media (prefers-reduced-motion: reduce) { .mode-pill__thumb { transition: none; } }

/* The hamburger. At every width — it opens the whole menu rather than a fold
   of the header, so on a wide screen the navbar's section links and the menu's
   tools are two different offers rather than the same one twice. */
.nav__burger {
    display: flex; width: 40px; height: 40px; padding: 0;
    background: transparent; border: 1px solid var(--line); border-radius: 8px;
    cursor: pointer; align-items: center; justify-content: center;
    color: var(--ink);
    transition: border-color .24s var(--ease);
}
.nav__burger:hover { border-color: var(--ink); }
.nav__burger svg { display: block; }
/* transform-box: view-box puts the origin in the icon's own coordinate space
   rather than on the line's own zero-height box, and the translate has to come
   second — CSS applies transform functions right to left. */
.nav__burger line {
    transform-box: view-box; transform-origin: 9px 6px;
    transition: transform .28s var(--ease);
}
.nav__burger[aria-expanded="true"] .nav__burger-t { transform: rotate(45deg) translateY(2.5px); }
.nav__burger[aria-expanded="true"] .nav__burger-b { transform: rotate(-45deg) translateY(-2.5px); }
@media (prefers-reduced-motion: reduce) { .nav__burger line { transition: none; } }

/* THE HEADER ON A PHONE. Three things have to fit inside 335 usable pixels at
   375 and 280 at 320: the mark, the edition pill, and the way into the rest of
   the site. Everything here is measured against those two numbers. */
@media (max-width: 1100px) { .nav__in { gap: .9rem; } }
@media (max-width: 640px) {
    :root { --nav-h: 62px; }
    .nav__in { gap: .55rem; }
    .nav__mark b { font-size: .86rem; }
    /* A segment is a glyph in a box, and the box is the tap target. The glyph
       stays at 13px — it is meant to be small — and what grows is the box. */
    .mode-pill__seg { min-width: 1.9rem; padding: .58rem .4rem; }
    /* No ring on a phone: the burger is the only thing in that corner and the
       outline was the heaviest object in the bar for no work it was doing.
       44px is the smallest a finger reliably hits. */
    .nav__burger { width: 44px; height: 44px; border-color: transparent; }
    .nav__burger:hover { border-color: transparent; }
    .nav__in > .btn { display: none; }
}
@media (max-width: 380px) { .nav__mark b { display: none; } }

/* =============================================================================
   THE MENU
   ========================================================================== */
.menu[hidden] { display: none; }
.menu {
    position: fixed; inset: 0; z-index: 200; display: block;
    /* Clipped: on the way out the scroll lock is released the instant close()
       runs while the panel is still travelling, and an unclipped panel sitting
       outside the viewport for those 360ms is a horizontal scrollbar that
       appears and leaves for no visible reason. */
    overflow: hidden;
}
.menu__scrim {
    position: absolute; inset: 0;
    /* A scrim exists to dim what is behind it, so it stays dark in both
       editions — see R2. It is the one black wash on this sheet that the dark
       edition does not re-polarise. */
    background: rgba(17, 22, 28, .38);
    -webkit-backdrop-filter: blur(3px); backdrop-filter: blur(3px);
    opacity: 0; transition: opacity .32s var(--ease);
}
.menu.is-open .menu__scrim { opacity: 1; }
.menu__panel {
    position: absolute; top: 0; right: 0; height: 100%;
    width: 100%; max-width: 404px;
    background: var(--paper);
    border-left: 1px solid var(--line);
    box-shadow: -24px 0 60px rgba(30, 38, 43, .10);
    display: flex; flex-direction: column;
    transform: translateX(100%);
    transition: transform .36s var(--ease);
}
.menu.is-open .menu__panel { transform: none; }
/* The panel takes focus itself on open so a screen reader reads the dialog's
   label. It is a container, not a control, and the sheet-wide :focus-visible
   rule was drawing a 2px accent ring around all 404 pixels of it. */
.menu__panel:focus, .menu__panel:focus-visible { outline: none; }
@media (prefers-reduced-motion: reduce) { .menu__scrim, .menu__panel { transition: none; } }

.menu__head {
    flex: 0 0 auto; height: 74px;
    display: flex; align-items: center; gap: .8rem;
    padding: 0 1.15rem 0 1.4rem;
    border-bottom: 1px solid var(--line-soft);
}
.menu__logo { display: block; height: 24px; width: auto; }
.menu__title {
    font-size: .6rem; font-weight: 700; letter-spacing: .3em; text-transform: uppercase;
    color: var(--ink-55); padding-left: .8rem; border-left: 1px solid var(--line);
    margin-right: auto;
}
.menu__x {
    width: 34px; height: 34px; flex: 0 0 auto; padding: 0;
    display: flex; align-items: center; justify-content: center;
    background: transparent; border: 1px solid var(--line); border-radius: 8px;
    color: var(--ink-55); cursor: pointer;
    transition: border-color .24s var(--ease), color .24s var(--ease);
}
.menu__x:hover { border-color: var(--ink); color: var(--ink); }
.menu__x svg { width: 13px; height: 13px; }
@media (max-width: 640px) { .menu__x { width: 44px; height: 44px; } }

.menu__search {
    flex: 0 0 auto; position: relative;
    padding: .9rem 1.4rem;
    border-bottom: 1px solid var(--line-soft);
    background: var(--paper);
}
.menu__search svg {
    position: absolute; left: 2.05rem; top: 50%; transform: translateY(-50%);
    width: 13px; height: 13px; color: var(--ink-55); pointer-events: none;
}
.menu__q {
    font: inherit; font-size: .88rem; font-weight: 500; width: 100%;
    padding: .6rem 2.1rem .6rem 2.05rem;
    color: var(--ink); background: rgba(30, 38, 43, .035);
    /* --line is a rule between two things that are already there; a text input
       is a box that has to announce itself, so it gets a real border. */
    border: 1px solid rgba(30, 38, 43, .52); border-radius: 8px;
    transition: border-color .24s var(--ease), background .24s var(--ease);
    -webkit-appearance: none; appearance: none;
}
.menu__q::placeholder { color: var(--ink-55); font-weight: 400; }
.menu__q::-webkit-search-cancel-button { display: none; }
.menu__q:focus { outline: none; border-color: var(--ink); background: var(--paper); }
.menu__q:focus-visible { outline: 2px solid var(--accent); outline-offset: 2px; }

/* Safari on iOS zooms the page when a focused input is under 16px, and a zoomed
   page carries the 404px panel — and the field that was just tapped — off the
   visual viewport. 16px is the threshold at which it does not, so the field
   takes it wherever the zoom can happen. Matched on the pointer rather than on
   a width: a phone held sideways is 932px wide and still zooms. */
@media (hover: none) and (pointer: coarse) {
    .menu__q { font-size: 16px; }
}
.menu__clear {
    position: absolute; right: 2rem; top: 50%; transform: translateY(-50%);
    width: 22px; height: 22px; padding: 0; display: flex;
    align-items: center; justify-content: center;
    background: transparent; border: 0; border-radius: 6px;
    color: var(--ink-55); cursor: pointer;
}
.menu__clear[hidden] { display: none; }
.menu__clear:hover { color: var(--ink); background: rgba(30, 38, 43, .06); }
.menu__clear svg { width: 10px; height: 10px; }

.menu__count {
    flex: 0 0 auto; margin: 0; padding: .55rem 1.4rem 0;
    font-size: .62rem; font-weight: 700; letter-spacing: .18em;
    text-transform: uppercase; color: var(--ink-55);
}
.menu__count b { color: var(--ink); font-weight: 700; }
.menu__count[data-filtered="1"] b { color: var(--accent); }

.menu__body { flex: 1 1 auto; overflow-y: auto; padding: 1.1rem 1.4rem 1.6rem; }
.menu__sec + .menu__sec { margin-top: 1.7rem; }
.menu__sec[hidden] { display: none; }
.menu__h {
    display: flex; align-items: center; gap: .8rem;
    font-size: .6rem; font-weight: 700; letter-spacing: .22em; text-transform: uppercase;
    color: var(--ink-55); margin: 0 0 .5rem;
}
.menu__h::after { content: ''; height: 1px; background: var(--line); flex: 1 1 auto; }
.menu__row {
    display: flex; align-items: baseline; gap: .7rem;
    padding: .62rem 0; border-bottom: 1px solid var(--line-soft);
    text-decoration: none; color: var(--ink-77);
    transition: padding-left .2s var(--ease), color .2s var(--ease);
}
.menu__row:hover { color: var(--ink); padding-left: .5rem; }
.menu__row[hidden] { display: none; }
.menu__row:last-child { border-bottom: 0; }
.menu__l { flex: 1 1 auto; min-width: 0; }
.menu__l b { display: block; font-size: .9rem; font-weight: 600; letter-spacing: -.015em; color: var(--ink); }
.menu__l span { display: block; font-size: .74rem; font-weight: 400; color: var(--ink-55); line-height: 1.4; }
.menu__go { flex: 0 0 auto; color: var(--ink-55); font-size: .8rem; font-style: normal; }
.menu__empty { margin: 1.4rem 0 0; text-align: center; font-size: .82rem; color: var(--ink-55); }
.menu__empty[hidden] { display: none; }

.menu__foot {
    flex: 0 0 auto; padding: 1rem 1.4rem;
    border-top: 1px solid var(--line-soft); background: var(--paper);
    display: flex; justify-content: center;
}
/* The footer's copy of the pill is the same control, so it is the same size: a
   segmented pill held to its own width and centred, one step larger than the
   header's because a panel footer has the room. Stretched to the full width of
   the panel it reads as a broken button rather than as the pill above. */
.menu__foot .mode-pill { display: inline-flex; width: auto; }
.menu__foot .mode-pill__seg { flex: 0 0 auto; min-width: 3.6rem; padding: .6rem .8rem; }
@media (max-width: 460px) { .menu__panel { max-width: 100%; } }

/* =============================================================================
   BUTTONS
   ========================================================================== */
.btn {
    display: inline-flex; align-items: center; justify-content: center; gap: .6rem;
    font: inherit; font-size: .82rem; font-weight: 600; letter-spacing: .02em;
    padding: .72rem 1.15rem; border-radius: 8px;
    border: 1px solid transparent; background: var(--ink); color: #fff;
    text-decoration: none; cursor: pointer;
    transition: background .25s var(--ease), color .25s var(--ease),
                border-color .25s var(--ease), transform .25s var(--ease);
}
.btn:hover { background: #000; transform: translateY(-1px); }
.btn:active { transform: none; }
.btn[disabled] { opacity: .45; cursor: not-allowed; transform: none; }
/* One button on the page — "The contents", in the hero — so the ghost, small
   and outline modifiers the shell carried are gone with the pages that used
   them. */

/* =============================================================================
   HERO
   ========================================================================== */
.hero { padding-block: clamp(52px, 8vw, 104px) clamp(40px, 6vw, 72px); }
.hero__in { max-width: 46rem; }
.hero h1 { margin-bottom: 1.5rem; }
/* The one line under the hero: what the page is, in figures. The shell used
   this class for a row of three big counts; here it is a sentence, so it is
   set as one. */
.hero__fact {
    margin-top: 2.6rem; padding-top: 1.6rem; border-top: 1px solid var(--line);
    font-size: .72rem; font-weight: 700; letter-spacing: .14em;
    text-transform: uppercase; color: var(--ink-55);
}

/* =============================================================================
   FOOTER
   ========================================================================== */
.foot { border-top: 1px solid var(--line-dark); background: var(--deep); color: rgba(255, 255, 255, .5); }
.foot__in { display: flex; flex-wrap: wrap; align-items: center; gap: 1rem 2rem; padding-block: 2.2rem; }
.foot__in p { margin: 0; font-size: .78rem; }
.foot__links { display: flex; flex-wrap: wrap; gap: 1.4rem; margin-left: auto; }
.foot__links a { font-size: .78rem; text-decoration: none; color: rgba(255, 255, 255, .5); }
.foot__links a:hover { color: #fff; }

/* =============================================================================
   FURNITURE — the last few things, none of which belong to a section
   -----------------------------------------------------------------------------
   THE REVEAL IS GONE. The shell this sheet came from faded elements in on
   scroll, gated on html.js so a browser without the script still got the
   content. A legal page reveals nothing: every word of it is there on load,
   which is the only behaviour a reader citing a clause can rely on. Removing
   the rules removed the only reason this sheet cared about html.js.
   ========================================================================== */
@media (prefers-reduced-motion: reduce) {
    .btn { transition: none; }
}

:focus-visible { outline: 2px solid var(--accent); outline-offset: 3px; border-radius: 3px; }

/* Read, not seen. The pill's lit segment is a span rather than a link, and a
   span carrying only an aria-label is announced by nothing — so it carries its
   words as real text and hides them here instead. */
.vh {
    position: absolute; width: 1px; height: 1px; margin: -1px;
    padding: 0; border: 0; overflow: hidden; white-space: nowrap;
    clip: rect(0 0 0 0); clip-path: inset(50%);
}

/* The skip link. background:var(--ink) + color:#fff, which the dark edition
   has to answer or it is white on white — invisible to every check that only
   looks at what is on screen, and the very first thing a keyboard user
   reaches. */
.skip {
    position: absolute; left: -9999px; top: 0; z-index: 400;
    background: var(--ink); color: #fff; padding: .8rem 1.2rem; text-decoration: none;
}
.skip:focus { left: 0; }

/* Print. Clause 4 says printing this page is fine, so it had better print
   well: the chrome goes, the words stay, and a clause does not break across a
   page in the middle of a sentence. The pilcrows go too — a paragraph mark
   that copies an address is a screen control, and on paper it is a stray
   glyph in the middle of every heading. */
@media print {
    .nav, .menu, .mode-pill, .lg-a, .skip { display: none !important; }
    body { font-size: 11.5pt; }
    .band { padding-block: 1rem; break-inside: auto; }
    .band--tint { background: none; }
    .wrap { max-width: none; padding-inline: 0; }
    .lg-h, .lg-defs dt, h1, h2, h3 { break-after: avoid; }
    .lg-list li, .lg-defs dd { break-inside: avoid; }
    .foot { background: none; color: #000; border-top: 1px solid #999; }
}

/* =============================================================== LEGAL ====
   This page's own furniture, and there is very little of it: a legal page is
   a reading page, so almost everything here is the house's own band, lede and
   eyebrow doing their ordinary work.

   Four things were needed that the shell did not already have:

     .lg-toc     the contents, a real <ol> whose numbers are the clause numbers
     .lg-a       the pilcrow beside every heading — a clause has to be citable,
                 and a citable clause needs a visible way to copy its address
     .lg-list    a bulleted list that reads at the same weight as .lede
     .lg-defs    the "what to send" list, on the .rec dl geometry

   Everything below reads a token, so the dark edition answers none of it. The
   one exception is noted where it stands. */

/* ------------------------------------------------------------- the contents
   Two columns where there is room for two, one where there is not.

   THE NUMERALS ARE IN THE MARKUP, in a <span>, and that is deliberate. They
   ARE the clause numbers, the page's prose cites them ("clause 4", "clause
   11"), and a counter drawn through ::before or a ::marker is generated
   content the reader cannot select — so copying the contents would hand them
   thirteen titles and no numbers. The list is still a real <ol>, so the
   numbering survives with CSS off too. */
.lg-toc {
    list-style: none;
    margin: 1.6rem 0 0;
    padding: 0;
    display: grid;
    grid-template-columns: repeat(2, minmax(0, 1fr));
    gap: 0 2.4rem;
}
@media (max-width: 720px) { .lg-toc { grid-template-columns: minmax(0, 1fr); } }

.lg-toc li { border-bottom: 1px solid var(--line-soft); }
.lg-toc a {
    display: flex;
    gap: .8rem;
    align-items: baseline;
    padding: .62rem .1rem;
    color: var(--ink-77);
    text-decoration: none;
    font-size: .92rem;
}
.lg-toc .lg-n {
    flex: 0 0 auto;
    font-size: .72rem;
    font-weight: 700;
    letter-spacing: .06em;
    color: var(--accent);
    font-variant-numeric: tabular-nums;
}
.lg-toc a:hover, .lg-toc a:focus-visible { color: var(--ink); }
.lg-toc a b { font-weight: 600; color: inherit; }

/* --------------------------------------------------------------- the clause
   A heading and its permalink. The pilcrow is a real <a href="#id">, so it
   works with JavaScript off — it navigates, and the address bar carries the
   clause. The script upgrades it to a copy, and says so.

   EVERY heading with an id wears one, the thirteen clause heads and the eight
   named sub-cases alike. The hero promises a way to copy the address of "a
   heading", and a page about being quotable cannot have the two most quotable
   headings on it — "not financial advice" and "what is measured" — be the two
   with no way to copy their address. .lg-h--sub carries the top margin the
   sub-headings used to hold inline, since the wrapper is now the block. */
.lg-h { display: flex; align-items: baseline; gap: .55rem; flex-wrap: wrap; }
.lg-h--sub { margin-top: 2rem; }
.lg-h--sub .lg-a { font-size: .74rem; padding: .28rem .42rem; }
.lg-a {
    font: inherit;
    font-size: .82rem;
    line-height: 1;
    padding: .35rem .5rem;
    border: 1px solid var(--line);
    border-radius: 7px;
    background: none;
    color: var(--muted);
    text-decoration: none;
    cursor: pointer;
    flex: 0 0 auto;
    transition: color .18s var(--ease), border-color .18s var(--ease);
}
.lg-a:hover, .lg-a:focus-visible { color: var(--accent); border-color: var(--accent); }
@media (prefers-reduced-motion: reduce) { .lg-a { transition: none; } }

/* The clause number over the heading, in the eyebrow's own register. */
.lg-no { font-variant-numeric: tabular-nums; }

/* ----------------------------------------------------------------- the list
   .lede sets the reading size; a list inside a clause has to match it or the
   page reads as prose with footnotes in it. */
.lg-list { margin: 1rem 0 0; padding-left: 1.15rem; }
.lg-list li { margin-bottom: .6rem; font-size: 1.02rem; line-height: 1.62; color: var(--ink-77); }
.lg-list li:last-child { margin-bottom: 0; }
.lg-list li b, .lg-list li strong { color: var(--ink); font-weight: 600; }

/* ------------------------------------------------------------------- a term
   Label and value, on the geometry .rec dl already uses, so the two read as
   one family. */
.lg-defs { display: grid; grid-template-columns: 12rem minmax(0, 1fr); gap: .55rem 1.2rem; margin: 1.1rem 0 0; }
.lg-defs dt { font-size: .74rem; font-weight: 700; letter-spacing: .07em; text-transform: uppercase; color: var(--muted); padding-top: .2rem; }
.lg-defs dd { margin: 0; color: var(--ink-77); overflow-wrap: anywhere; }
.lg-defs dd b { color: var(--ink); font-weight: 600; }
@media (max-width: 620px) {
    .lg-defs { grid-template-columns: minmax(0, 1fr); gap: .15rem 0; }
    .lg-defs dd { margin-bottom: .8rem; }
}

/* THE PLACEHOLDER MARKER IS GONE. .lg-todo was a loud dashed chip for a fact
   this page could not establish — an unfilled jurisdiction that reads like
   ordinary prose is worse than no clause at all. Clause 12 no longer carries
   one, so the rule matched nothing and was removed rather than left to rot.
   NOTES.md keeps it verbatim; restore it here and its dark answer in dark.css
   if a bracketed value ever goes back on the page.

/* ------------------------------------------------------------------ a stamp
   When this page last changed. Small, quiet, and never rounded up. */
.lg-stamp { font-size: .8rem; color: var(--muted); margin: 1.4rem 0 0; }
.lg-stamp b { color: var(--ink-77); font-weight: 600; }

/* Long addresses — a mailto, a source URL — must wrap rather than widen the
   document. One unwrappable row takes every fixed element on the page with it. */
.lede a, .lg-list a, .lg-defs a { overflow-wrap: anywhere; }

/* Same argument as .menu__q above: under 16px, iOS Safari zooms the focused
   field and carries the layout off-screen. Matched on the pointer, not the
   width, because a narrow desktop window does not zoom. */
@media (hover: none) and (pointer: coarse) {
    .field { font-size: 16px; }
}