The studio floor · finished & kept
Where the labs’ work
gets finished and kept.
Nine doors on the studio floor make things — particle fields, procedural geometry, spinning spheres, walls of photographs. THE PRESS is the room after the doors: a broadcast that plays the self-running engines as one lean-back channel, a finishing desk that mounts and marks any engine’s exported frame into a pressed plate, and a vault that keeps the seeds and links worth coming back to.
Nothing on this page imitates the engines — the channel frames the real pages themselves, same-origin. The desk works only on files you hand it, entirely in this browser. The vault keeps only what you put in it, in this browser, exportable any time.
On air
The floor, as a channel.
The self-running doors, played in rotation — each one the real page, framed. Pick the dwell, hold or skip, drop doors from the channel or air one by hand from the guide. Full screen makes it the shop window.
The stage
raising the curtain…
The guide
A filled dot is on the channel; press it to drop the door from the rotation (the choice is remembered here). Air now plays any door at once — the rotation resumes after it.
The desk
Mount it. Mark it. Press it.
Every door exports a frame — Multipics and Logo Lab as PNGs, DMT and NEXUS as stills and recordings, the Product Lab as plates. Drop any of them here: mount it plain, on a plate, or under a placard; set a mark on it (a Logo Lab export makes a fine one); and press a finished PNG. Everything happens on this canvas, in this browser.
The bed
Drop a PNG here — or click to choose
any door’s export; it never leaves this browser
The diptych’s second frame — drop it here
The bed is empty.
The finishing
Mount
Plate ink
The line’s face
Print size
Placard text
The mark
Drop the mark PNG
The vault
The register of kept work.
The engines make ephemeral things; the vault is where the good ones are kept. A card holds a door, the engine’s own share or preset link, a title and a note. Cards live in this browser, export and import as JSON, and any card can be put straight on the air.
Keep one
Method
Real pages, local work.
The channel frames, it never imitates
ON AIR is a same-origin frame around the engines’ own pages — what plays is exactly what a visitor to that door would see, edition and all. Doors that need a hand on them (the Product Lab shelf, the photo lab) sit off the default rotation but can be aired from the guide any time.
The desk touches only what you hand it
The compositor is one canvas: your dropped PNG, an optional mark, a mount and a placard drawn in the house inks. The pressed file downloads from this browser; nothing is uploaded anywhere, ever.
The vault is yours
Cards are kept in this browser’s storage and nowhere else — the export button is the backup, and the import button is the move. Links are kept inside the estate, because airing arbitrary origins is not this room’s job.
The engines are untouched
Nothing on the studio floor was modified to build this room. The broadcast plays the doors as they are; the desk finishes what they already export; the vault points back at their own share links. If a door changes, the press simply shows the change.