Pitch trainer · scales
Sing a scale in tune
Choose a scale and a starting note. The page plays it, you sing it back, and it shows the note you sang in each place and how many cents off it was.
The scale exercise
The microphone is off. Nothing on this page listens until you press Start microphone.
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- Off by
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- Frequency
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- Measured against
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- Clarity
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What you sang
| # | Asked for | You sang | Cents off | Heard | Result |
|---|
Nothing sung yet.
The exercise
Settings
A4 = 440.0 Hz
How the scale exercise works
Press Play the reference and listen. The microphone is not needed for that, and while the reference sounds the microphone’s readings are thrown away, so the page never grades its own tone.
Then start the microphone and press Sing it back. After a count-in of one note length, every note has a box on the grid and a slot of time. Sing each note while its box is lit. The slots do not wait: what you sang inside each slot is what is reported.
Pick a starting note that puts the whole scale inside your voice. The vocal range test will tell you where that is. Ticking Any octave counts lets you sing the scale an octave away from the reference.
Reading the result
For each slot the page takes the readings from the middle of the slot, leaving out the first fifth and the last tenth where one note turns into the next, and reports their median as the note you sang. Cents off is counted from the note asked for, or from its nearest octave if Any octave counts is ticked. Heard is the share of the slot in which the page heard a pitch at all. Under 30% the slot is reported as not heard instead of being graded.
The reference tones and the grading both use equal temperament, in which every semitone is 100 cents (Wikipedia, Cent (music)). This is a measurement of pitch, not vocal coaching, and the page makes no judgement of a voice.
The 6 scales
Each scale is built from the rule its source gives, and the octave is added on top so that the run ends where it began. The major scale, for example, is “whole, whole, half, whole, whole, whole, half” steps, which from C gives C D E F G A B C.
| Scale | Rule | Semitones above the first note | From C4 | Notes | Source |
|---|---|---|---|---|---|
| Major | whole, whole, half, whole, whole, whole, half | 0 2 4 5 7 9 11 12 | C4 D4 E4 F4 G4 A4 B4 C5 | 8 | Major scale |
| Natural minor | the white keys from A: A B C D E F G | 0 2 3 5 7 8 10 12 | C4 D4 D♯4 F4 G4 G♯4 A♯4 C5 | 8 | Minor scale |
| Harmonic minor | the natural minor with its seventh note raised a semitone | 0 2 3 5 7 8 11 12 | C4 D4 D♯4 F4 G4 G♯4 B4 C5 | 8 | Minor scale |
| Major pentatonic | notes 1, 2, 3, 5 and 6 of the major scale | 0 2 4 7 9 12 | C4 D4 E4 G4 A4 C5 | 6 | Pentatonic scale |
| Minor pentatonic | notes 1, 3, 4, 5 and 7 of the natural minor scale | 0 3 5 7 10 12 | C4 D♯4 F4 G4 A♯4 C5 | 6 | Pentatonic scale |
| Chromatic | every semitone | 0 1 2 3 4 5 6 7 8 9 10 11 12 | C4 C♯4 D4 D♯4 E4 F4 F♯4 G4 G♯4 A4 A♯4 B4 C5 | 13 | Chromatic scale |
Sources
- Major scale — Wikipedia. Used for the major scale’s pattern of whole and half steps. Revision 1372680474 of 2026-09-01. Read 2026-09-28 (UTC). https://en.wikipedia.org/wiki/Major_scale
- Minor scale — Wikipedia. Used for the natural and harmonic minor scales. Revision 1369856436 of 2026-08-17. Read 2026-09-28 (UTC). https://en.wikipedia.org/wiki/Minor_scale
- Pentatonic scale — Wikipedia. Used for the major and minor pentatonic scales. Revision 1369340041 of 2026-08-14. Read 2026-09-28 (UTC). https://en.wikipedia.org/wiki/Pentatonic_scale
- Chromatic scale — Wikipedia. Used for the chromatic scale. Revision 1362634296 of 2026-07-05. Read 2026-09-28 (UTC). https://en.wikipedia.org/wiki/Chromatic_scale
- Cent (music) — Wikipedia. Used for the cent: 100 to an equal-tempered semitone, 1200 · log2(f2 / f1). Revision 1376384857 of 2026-09-23. Read 2026-09-28 (UTC). https://en.wikipedia.org/wiki/Cent_(music)
Next: sing intervals, or watch your pitch live on the vocal pitch monitor.
How it measures, and what it keeps
The pitch comes from a detector that runs inside this page: the normalised square difference method of McLeod and Wyvill, tuned for a voice from C2 to D6. It was measured on 7,344 synthesised tones, not on recorded singers and not on your microphone; the method page has the tables and says what they do not cover.
The sound from your microphone goes to that detector and nowhere else: it is not recorded, stored or sent. This browser keeps three settings for the trainer’s pages, under labs.sing.a4, labs.sing.solfege and labs.sing.range. The musical facts (note names, cents, scales, intervals, voice types) are read from thirteen published articles, each listed on the method page with its revision and the date it was read.